“Signs of wealth, status, and religious afflilation began to define a “surface” that had no reliable connection with the self in which true motivations were buried.” (474)
(Armstrong, Nancy. “From Desire and Domestic Fiction: A Political History of the Novel.” Theory of the Novel. Ed. Michael McKeon. Baltimore: The Johns Hopkins University Press, 2000. 467-475. Print.)
(Armstrong, Nancy. “From Desire and Domestic Fiction: A Political History of the Novel.” Theory of the Novel. Ed. Michael McKeon. Baltimore: The Johns Hopkins University Press, 2000. 467-475. Print.)
