(Shary, Timothy. Generation Multiplex: The Image of Youth in Contemporary American Cinema Austin: University of Texas Press, 2002. Print.)
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Adolescence
(29)
Advertisement
(9)
Architecture
(21)
Art
(2)
Boredom
(5)
Car
(15)
Cheap Machines
(3)
Climate Control
(4)
Decentering
(15)
Discontinuity
(2)
Dishwasher
(1)
Easy Debt
(6)
Education
(5)
Film
(10)
Garage
(3)
Habit/Habitus
(2)
Historical Deafness
(4)
Home/Homeownership
(19)
Industrial Invasion
(9)
Inversions/Reversals
(12)
Kitchen
(6)
Liminal Space
(9)
Literature
(12)
Mall
(29)
Middleground
(14)
Myth
(29)
Networks
(2)
Nuclear Family
(8)
Partially Homogenized
(24)
Planning
(5)
Practice
(6)
Privatization
(11)
Project Focus
(19)
Race
(4)
Roads
(11)
Sci-Fi
(1)
Sex
(4)
Shallow Roots
(7)
Speed
(2)
Sprawl
(9)
Stuff
(12)
Suburban Ecology
(13)
Suburban Museum
(6)
Surface Tension
(5)
Technology
(6)
Television
(4)
The Aesthetics of Organization
(13)
The Agrarian
(17)
The Commuter
(10)
The Fragment
(3)
The Housewife
(22)
The Individual
(1)
The Temple of Domesticity
(12)
Values
(6)
Wasteland
(5)
Wilderness
(16)
Work/Home
(3)
Yard
(16)
Unlike the '50s when screen teens were steered down relatively rigid, righteous paths, the '80s teens encountered a complexity of moral choices and personal options on which the multiplex movies thrived. This gave teenage movie audiences at the end of the twentieth century a greater sense of presence in popular media, a deeper potential to be influenced by the films they saw, and a wider range of options from which they could construct and compare their sense of self." (7)