(Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard University Press, 2002. Print.)
Pages
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Adolescence
(29)
Advertisement
(9)
Architecture
(21)
Art
(2)
Boredom
(5)
Car
(15)
Cheap Machines
(3)
Climate Control
(4)
Decentering
(15)
Discontinuity
(2)
Dishwasher
(1)
Easy Debt
(6)
Education
(5)
Film
(10)
Garage
(3)
Habit/Habitus
(2)
Historical Deafness
(4)
Home/Homeownership
(19)
Industrial Invasion
(9)
Inversions/Reversals
(12)
Kitchen
(6)
Liminal Space
(9)
Literature
(12)
Mall
(29)
Middleground
(14)
Myth
(29)
Networks
(2)
Nuclear Family
(8)
Partially Homogenized
(24)
Planning
(5)
Practice
(6)
Privatization
(11)
Project Focus
(19)
Race
(4)
Roads
(11)
Sci-Fi
(1)
Sex
(4)
Shallow Roots
(7)
Speed
(2)
Sprawl
(9)
Stuff
(12)
Suburban Ecology
(13)
Suburban Museum
(6)
Surface Tension
(5)
Technology
(6)
Television
(4)
The Aesthetics of Organization
(13)
The Agrarian
(17)
The Commuter
(10)
The Fragment
(3)
The Housewife
(22)
The Individual
(1)
The Temple of Domesticity
(12)
Values
(6)
Wasteland
(5)
Wilderness
(16)
Work/Home
(3)
Yard
(16)
"The events surrounding the historian, and in which he himself takes part, will underlie his presentation in the form of a text written in invisible ink. The history which he lays before the reader comprises, as it were, the citations occurring in this text, and it is only these citations that occur in a manner legible to all. To write history thus means to cite history." (476) In this regard, embrace the element of this project which finds its underpinnings in autobiography. That the suburbs composed us gives us the impetus (and the authority) to attempt their composition.