(Bryson, Bill. At Home: A Short History of Private Life. New York: Doubleday, 2010.)
Pages
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Adolescence
(29)
Advertisement
(9)
Architecture
(21)
Art
(2)
Boredom
(5)
Car
(15)
Cheap Machines
(3)
Climate Control
(4)
Decentering
(15)
Discontinuity
(2)
Dishwasher
(1)
Easy Debt
(6)
Education
(5)
Film
(10)
Garage
(3)
Habit/Habitus
(2)
Historical Deafness
(4)
Home/Homeownership
(19)
Industrial Invasion
(9)
Inversions/Reversals
(12)
Kitchen
(6)
Liminal Space
(9)
Literature
(12)
Mall
(29)
Middleground
(14)
Myth
(29)
Networks
(2)
Nuclear Family
(8)
Partially Homogenized
(24)
Planning
(5)
Practice
(6)
Privatization
(11)
Project Focus
(19)
Race
(4)
Roads
(11)
Sci-Fi
(1)
Sex
(4)
Shallow Roots
(7)
Speed
(2)
Sprawl
(9)
Stuff
(12)
Suburban Ecology
(13)
Suburban Museum
(6)
Surface Tension
(5)
Technology
(6)
Television
(4)
The Aesthetics of Organization
(13)
The Agrarian
(17)
The Commuter
(10)
The Fragment
(3)
The Housewife
(22)
The Individual
(1)
The Temple of Domesticity
(12)
Values
(6)
Wasteland
(5)
Wilderness
(16)
Work/Home
(3)
Yard
(16)
"Olmstead was not much good at building the kind of parks that people actually wanted--and the more parks he built, the more evident this became. Olmstead was convinced that all the ills of urban life were owing to bad air and a lack of exercise, producing 'a premature failure of the vigor of the brain.' Quiet walks and tranquil reflection were what was needed to restore health, energy, and even moral tone to a jaded citizenry. So Olmstead was absolutely against anything that was noisy, vigorous, or fun. He especially didn't want diversions like zoos and boating lakes--the very sorts of amusements park users craved." (276)